June 11, 2009

In a shot of espresso

short pulled shot of espresso

The walk from City National Plaza to Historic Core, the financial district to the heart of the old downtown, stretches across the lot of LA's cultural strata. You start at the gargantuan granite towers, with gleaming surfaces and a spritely centerpiece fountain, then hint quickly at a hip spot at The Standard Hotel, a reconveyed oil company headquarters. Then you'll see Pershing Square and the Jewelry District, where GIA-certified stones straddle blingy gold chains while Mexican tunes blast from an unseen stereo. A saxophone's notes philander through the streets while the buckle and brown of a citybus tampers it all down.

Spring For Coffee, embedded along art galleries and a flower shop on Spring Street, hides a part of LA's best coffee offerings, a half-dozen beans from top-tier roasters. Maru Nagano, who formerly sliced nigiri at Mori Sushi, ruminates on a superb cup on one of the sidewalk chairs, legs crossed and mini fedora topping off the figure. He jumps up after seeing me and walks over behind the counter to take my order. "One espresso, in ceramic."

I plop down on the chair he occupied and opened my two latest library books that seemed to be on hold for an eternity, Molly Wizenberg's "A Homemade Life" and Amanda Hesser's (editor) "Eat, Memory," memoirs from great food writers.

A short while later, Maru presents a clean white tasse of my single shot from Jaguar Espresso. I know this isn't the best espresso they offer, but I only had $2.25 in my pocket, a quarter shy of the upgrade to Intelligentsia's Black Cat. Drat.

I peered into the cup, donning the saucer and its dais in my hand. The dark crema isn't as bright as Intelligentsia's but I still take the small spoon and dip into the top crust, releasing aromas. I take a small sip, mixing the foamy top over my palate. A hint of saltiness hits the backend while a calm, rustic cloud of caramel and roasted grain remains. I hear the saltiness is due to the La Marzocco not reaching optimal temperature.

The caffeine nudges the mind while I blissfully relax, watching some stragglers across the street waiting for the bus. Hipsters, artists, and the occasional businessman walk by on my side, a concrete moat against the busy asphault. Like a shot of espresso capturing a coffee bean's essence, the terroir of the brown liquid and gentle crema like a snapshot of the farm's land, there's a bit of this walk across Downtown that encapsulates the essence of this city.

Juxtoposed wealth and grit, suave bankers and professionals cushy in their Johnathan and California Clubs, sit mere blocks from cardboard homes and crumbling tenements. In between lie the glimmering windows of jewelry, the occasional Latino newstand of shady covers and colorful photos, the beleaguered wheelchair and the prim-cut suit. Perhaps there's a family of six, four small children straddling the parents.

I love this city because it's a cross-section of humanity, displaying a myriad of needs, wants, passions, and livelihoods. I try my best to capture what I see, what I hear and smell and taste. Take a shot of fine espresso and maybe it'll get you thinking the same way. It's all too fast-paced at times, but sometimes its great to sit down and savor.

5 comments:

Food, she thought. said...

This is beautiful.

Food GPS said...

This is an inspired post that really captures a moment in time and puts downtown into context. I'm also glad to see you give Spring For Coffee a shoutout. They're accomplishing a lot coffee-wise, especially considering they only have 300 square feet to work with. Check that: 296

sku said...

Great post! I've never heard of Spring for Coffee. I'll have to try it next time I'm downtown.

Gastronomer said...

Although I don't consume much coffee, I do consume LOTS of food writing. Have you wrapped up the Reichl series? I'm still waiting for the fourth installment from the library.

mattatouille said...

Thank you Lizzie.

Thank you Josh. Yes it's amazing what SFC does with that space.

Sku: thanks! Yes, SFC is worth checking out. Perhaps they're a little too grand in their aspirations, but better to be too grand than underachieve, right?

Cathy: I liked the first parts of Garlic & Sapphires and Tender at the Bone, but I couldn't get around to finishing them..I feel like they fizzle. I haven't read Comfort Me with Apples, which Josh tells me is her best. I haven't heard too many good things about her latest one, but I want to read it. Right now I'm reading Molly Wizenberg and Eat, Memory, a nice compilation of NYT writers (mostly non-food writers, some famous). You seem to read a ton of food books as well, we should talk about them one day, and share collections :)